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Special Phenomena

Oct 27th 2007
They say, in SE-Asia children are raised differently than in the West. I kind of see what "they're" saying. Not that I'm sure, at all. Haven't really done my research. But there's an interesting point there, still diffuse to my mind, regarding children as a whole, which I might just explore over the coming weeks and months in Cambodia and Laos.

It's a huge subject, actually. And I feel like I'm trying to lever a bolder out of a murky swampland using a toothpick and toilet paper. In fact, lately everything in life has been feeling that way. Can't get my head around anything. It's all a big blur. The photographs keep coming - not concerned about that. In terms of writing, though, my mind's a puddle of muddled rubble. And I keep saying to myself "it's a good thing!" It'll come when it comes. Don't worry. Just watch and enjoy. Be with it all. Sponge it up... Go to: Special Phenomena - A Desperate Attempt
Baby Girl by Bjorn Vaughn

Baby Girl

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Village girl near Siem Reap, Cambodia - homage to color photography.


V-Lux 1 Report in LFI Magazine

Oct 27th 2007
V-Lux 1 by Bjorn Vaughn

V-Lux 1

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Download V is for Voyage (Right-click Save Link As)
... captures without risking an attack of lumbago. Secondly, it can introduce a whole new dimension to people photography: sit on a bus or boat with the camera placed on your lap and the screen flapped open, then zoom right into a passenger's face and perform photographic surgery without the patient ever noticing - the only thing now is to make sure that you don't abuse your new-gained powers by constantly intruding in people's private spheres. Nonetheless, the tilt screen keeps it discreet, and it can help you get away with a lot more than if you were to bring the camera up to your face and cause your subject to act unnaturally or shy away. Thirdly, the tilt screen is gentler on the eyes than the electronic viewfinder. For this reason I use it almost exclusively - but it calls for a fully charged battery before setting off on a sniping spree and, while a spare Li-ion is not necessarily crucial, it won't hurt to have one as...

Download Article V IS FOR Voyage (Right-Click Save Link As)


Warning: Nerdy Content

Oct 15th 2007
A picture taken from my balcony using the Summilux 50 mm set to f/2. A lucky hit? I wonder. Three months ago I landed nearly the same shot at f/1.4 and was surprised, being the result of a mindless reaction, that the focus wasn't all over the place (blurred). I'm also wondering if an autofocus would have known to prioritise the pigeon as I did. Possibly. With a bit of luck. But I guess the beauty of manual focus is that it's something you can work on and improve. It's all you. It forces you to develop an intuitive understanding of your gear. At some point you'll want to be able to plant that focal plane without having to think at all. Drawing from a cellularised feel for distance and timing. I think that's what HCB meant when he spoke about the rangefinder camera being like an extension of his hand and eye. Just a hunch.

Sending y'all my love from Cambodia. More to come soon. -B
Cellular Understanding by Bjorn Vaughn

Cellular Understanding

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Seconds before a major downpour. Bangkok, Thailand Winged Heart by Bjorn Vaughn

Winged Heart

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Born of a mindless reaction


Minh from Nextdoor

Oct 8th 2007
Minh, 96 by Bjorn Vaughn

Minh, 96

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And no one knows this street better than this young lady. Minh watches the road from a traditional, stilted Thai house made of teak. Day in, day out.
Minh, 96 by Bjorn Vaughn

Minh, 96

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The other day I showed her my camera from behind the wall and she waved me in for a portrait. The light wasn't all that great, forcing me to up the ISO and open the lens - but this is the domain of the Leica M8 and Summilux-M 50 mm f/1.4 Asph.
My neighborhood is a home to politicians, high-ranking officers and service people; there's a firing range on the nearby military premises; occasionally you'll witness a tank chaining it down one of the sois. The modern condominium I live in looks a little out of place (like my dad says: no zoning in Thailand!), which, in a sense, only makes for consistency. As does the slum village out the back. It's all very mixed here, the wealthy and the poor will be seen dining at the same street stalls. Along with the one crazy Farang (Westerner).


Baby Alert

Oct 5th 2007
As a person patrolling the streets with heavy exposure power I experience two states. The first is the passive observer; lazy, numb, reluctant - the air in Bangkok is moist and heavily scented, affecting the functioning of the synaptic nerves and veiling the brain in impenetrable layers of gunk. Sure, this observer just happens to have something in excess of *bling*obscene*figure worth of high tech strapped around his neck, but mode 1 is far too sedated to really give a toot.

The second state is that of the (hyper) active huntsman; obscenely alert, exceedingly interested and flakey like Fraggle on Frosties. Every passerby is chatted up (slash victimized), the lens shamelessly pointed at everything and everyone. The hunter works his gear, takes risks, slays dragons...

... and gobbles up babies by the dozens!
Hello bubu baba by Bjorn Vaughn

Hello bubu baba

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Camera: M8 Digital Camera (Leica Camera AG)
Lens: Summilux-M 50 mm f/1.4 Asph.
Focal Length: 50mm (67mm = 35mm film equiv.)
Exposure Time: 1/750sec.
Aperture: Auto aperture value transmission not possible
ISO: 160
Would someone please arrest this kid! by Bjorn Vaughn

Would someone please arrest this kid!

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Camera: M8 Digital Camera (Leica Camera AG)
Lens: Summilux-M 50 mm f/1.4 Asph.
Focal Length: 50mm (67mm = 35mm film equiv.)
Exposure Time: 1/350sec.
Aperture: Auto aperture value transmission not possible
ISO: 160
Oh dear. Call the Cuteness Polizei by Bjorn Vaughn

Oh dear. Call the Cuteness Polizei

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Camera: M8 Digital Camera (Leica Camera AG)
Lens: Summilux-M 50 mm f/1.4 Asph.
Focal Length: 50mm (67mm = 35mm film equiv.)
Exposure Time: 1/250sec.
Aperture: Auto aperture value transmission not possible
ISO: 160
... by Bjorn Vaughn

...

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Camera: M8 Digital Camera (Leica Camera AG)
Lens: Summilux-M 50 mm f/1.4 Asph.
Focal Length: 50mm (67mm = 35mm film equiv.)
Exposure Time: 1/500sec.
Aperture: Auto aperture value transmission not possible
ISO: 160


Magic Wand

Oct 2nd 2007
OM MA NI PED ME HUN by Bjorn Vaughn

OM MA NI PED ME HUN

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Camera: M8 Digital Camera (Leica Camera AG)
Lens: Summilux-M 50mm f/1.4 Asph.
Focal Length: 50mm (67mm = 35mm film equiv.)
Exposure Time: 1/1000sec.
Aperture: Auto aperture value transmission not possible
ISO: 160
And we're back! Found a nice little Toshiba at a laptop tradeshow in Bangkok. 2 Ghz core duo CPU, 1 GB Ram, 120 GB hard drive, 4 USB ports, an inbuilt SD card reader, web cam and airport, Vista Basic, surround sound, international warranty... light weight, instant boot up - can't really complain for 553,- buckeuros. But my photographs remain locked away on a Mac-formatted external disc. As to how I'm going to access these I really don't know. Of course it's a pain. But, more than that, it's a new beginning. After an exclusive two-month stint with the Digilux 3 DSLR, it's back to working with the M8 DRC - getting to know the digital rangefinder all over again with a fresh...

Go to: Faces for cont. and Summilux-M 50 mm f/1.4 Asph. photos from northern Thailand and Bangkok.

Left: blessed be thy beads.


Do your backups, kids

Sep 21st 2007
Oh, boy. Just when I was getting all psyched up about the big update. I mean, I was, like, really motivated. Had a super plan. I was going to get some work done and pat myself on the shoulder for a job well done. Alas, life had other plans for me. Someone came into my room today. While my dad and I were out circling stupas. Oh, dear. Laptop gone. iPod Nano, too. Funny, they didn't take the cables, or the passport, or the Elmar-M 28 mm. Only the Mac products. And Alhamdulilah they didn't take the 2.5 inch external hard drive. That would have been devastating. Tens of thousands of images gone. Lucky me I only lost 2.000 pics (*gulp!). The photographs from Cambodia and the recent ones from Thailand. Several great high-quality portraits. Ugh! Now that hurts. I'm not too fussed about the Angkor photographs because I'll be going back there in about 2 weeks time - but I wish I'd done a backup more recently. Is there anything else we can learn from this? Filing the police report by Bjorn Vaughn

Filing the police report

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Camera: M8 Digital Camera (Leica Camera AG)
Focal Length: 50mm (67mm = 35mm film equiv.)
Exposure Time: 1/45sec.
Aperture: Auto aperture value transmission not possible
ISO: 160


Initiating big Update

Sep 20th 2007
People Chaos by Bjorn Vaughn

People Chaos

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Mother with newborn baby on the streets of Bangkok, Thailand.
Bugs and Petals by Bjorn Vaughn

Bugs and Petals

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Camera: DIGILUX 3 (LEICA)
Focal Length: 50mm (100mm = 35mm film equiv.)
Exposure Time: 1/500sec.
Aperture: f/3.5
ISO: 100
Bugs and Petals by Bjorn Vaughn

Bugs and Petals

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Camera: DIGILUX 3 (LEICA)
Focal Length: 50mm (100mm = 35mm film equiv.)
Exposure Time: 1/500sec.
Aperture: f/3.5
ISO: 400
People Chaos by Bjorn Vaughn

People Chaos

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Fun in the mud, Siem Reap, Cambodia
Hello friends and greetings from Chiang Mai in Northern Thailand. Over the past 2 months I have taken some 10.000 photographs in Vietnam and Cambodia, leaving me a little disorientated in the ensuing floods of digital data - now in need of some dedicated channeling and damming. Where to begin? I know, let's upload all at once! Well, here's a first batch.

Setting up new categories in "Picture All"; check out "People" and "Nature" in the Type section. More uploads to come soon, and maybe even a little order to the chaos.

Meanwhile, Go to: People Chaos and Go to: Bugs & Petals

Photographs mostly taken with Leica Digilux 3 DSLR. Also note a few M8 + Summilux 50 mm f/1.4 shots - of which there will be many more in the weeks to come.


What was King Jayavarman VII thinking about?

Sep 18th 2007
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Freedom! by Bjorn Vaughn

Freedom!

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King Jayavarman VII, mightiest king of the Khmer Empire, serenely smiles down upon us. While we riddle over the significance of his expression, the King clearly has nothing left to riddle over


Moments

Sep 11th 2007
Broken Slipper by Bjorn Vaughn

Broken Slipper

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At the foot of a temple near the Tonle Sap Lake in Siem Reap Shoeless by Bjorn Vaughn

Shoeless

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Sure I'll fix your flip flop.
Polichicken by Bjorn Vaughn

Polichicken

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Cockfight at the Cambodian People's Party
Snake Eggs by Bjorn Vaughn

Snake Eggs

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... I call 'em sneggs
Colours of the Heart by Bjorn Vaughn

Colours of the Heart

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The countryside around Siem Reap Colours of the Heart by Bjorn Vaughn

Colours of the Heart

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Camera: DIGILUX 3 (LEICA)
Focal Length: 20mm (40mm = 35mm film equiv.)
Exposure Time: 1/1000sec.
Aperture: f/6.3
ISO: 100
Colours of the Heart by Bjorn Vaughn

Colours of the Heart

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Camera: DIGILUX 3 (LEICA)
Focal Length: 14mm (28mm = 35mm film equiv.)
Exposure Time: 1/800sec.
Aperture: f/4.5
ISO: 100
Colours of the Heart by Bjorn Vaughn

Colours of the Heart

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Camera: DIGILUX 3 (LEICA)
Focal Length: 18mm (36mm = 35mm film equiv.)
Exposure Time: 1/1000sec.
Aperture: f/6.3
ISO: 100
Descending the steps of a hill temple near the Tonle Sap Lake just outside of Siem Reap, a shirtless old man sitting half way down the stairwell asked me to repair his left slipper for him. The rubber strap had popped loose and needed to be fed back through the sole. Naturally I kneeled down and got to work, forcing the ends through the Styrofoam holes with a stick. It was a task, and it took awhile. Several minutes passed when a group of Cambodian tourists came up from behind and offered to take over. I had already wedged one of the bits back into place and was frankly a little...

Go to: Moments for continuation and more short anecdotes.

All pictures taken with Leica Digilux 3.


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